Rhodes University joins consortium in SACO tender win
A FIVE-YEAR tender to run the South African Cultural Observatory (SACO) has been granted to a consortium of universities including Rhodes University, Nelson Mandela University, University of Fort Hare, and the University of KwaZulu-Natal.
Led by Nelson Mandela University, the award of the tender represents a significant investment by the South African government into research on the cultural and creative economy.
The SACO is a national research centre established in 2015 and mandated by the Department of Arts and Culture (DAC). “The initial SACO project was run by Nelson Mandela University, Rhodes University and the University of Fort Hare. For the second bid the partnership expanded to include the University of KwaZulu-Natal,” explained Jen Snowball, Professor at Rhodes University’s Department of Economics.
Prof Snowball is the chief research strategist at the SACO.
The SACO supports the collection and analysis of data, influences policy, shares insights and builds on the intellectual capacity gained across the arts, culture, and heritage sectors. “Its focus is on the potential of the cultural and creative industries to contribute to social cohesion, job creation, and economic growth, rather than just being a sector that requires subsidising,” said Prof Snowball.
Historically, cultural economics represents a niche research area in South Africa. “There are very few cultural economists in the country. It’s just not an area most economists specialise in. So it’s been difficult to get academic economists interested in the value and analysis of cultural economics, but we are seeing growth as people increasingly understand the importance of the sector,” Prof Snowball said.
Earlier this year, SACO and the DAC held its third annual international conference to discuss trends and issues in international, national, and regional economies, which helped cast a light on the research underway and the socio-economic activities already
“We had a very large delegation, and the Minister of the DAC was there to give an opening address,” said Prof Snowball. “Interest in the SACO continues to grow year-on-year.”
Although the SACO operates primarily as a think-tank, research is not the exclusive focus. “We also run the conferences, provide bursaries for students who are conducting sector related studies, host training workshops with to find out what is happening in the sector, share ideas about how cultural economics can be reported on, provide monitoring and evaluation services, and we’ve developed an online economic impact calculator for festivals and cultural events,” explained Prof Snowball. “It’s more of an applied research exercise.”
Over the next five years, Prof Snowball would like to see more Rhodes academic staff contributing to the SACO, from across the different departments and the various research institutes. “This will not only make the research more valuable, but it will expand the Rhodes University contribution to the SACO,” she said. “There is significant potential in integrating, business, media, technology, and the arts with economics.”
READ an interview with SACO Chief Research Strategist Jeanette Snowball in a monograph on cultural participation and wellbeing by the Social Observatory of la Caixa. Prof Snowball talks about how “one of the functions of art is to open up debates in society”.
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THE Cultural and Creative Industries (CCIs) have been hailed as offering great potential to create jobs and to be socially inclusive. This study investigates to what extent the CCIs in South Africa are moving towards more inclusive and racially diverse patterns in their ownership and employment profiles. Using a survey of 2400 randomly selected CCIs, it compares ownership and employment patterns across the six UNESCO Cultural Domains to determine their contribution to black economic empowerment (transformation) within the various domains.
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THE world as we know it is changing. We are already living in the technological future. The fourth industrial revolution is fundamentally disrupting the way we think, work and interact with each other and, in it, culture and creativity can be one of the major currencies, argue Prof Richard Haines (SA Cultural Observatory CEO) and Rosemary Mangope (National Arts Council CEO).
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SOUTH African Cultural Observatory (SACO) Chief Research Strategist Prof Jen Snowball’s recent paper with Serge Hasidi on cultural employment in South Africa explores the role of the Cultural and Creative Industries (CCIs) in facilitating job creation and economic growth in South Africa.
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April Gig-Guide: cultural events not to be missed!
The month of April is a significant month in South Africa as it brings the remembrance of its first democratic election back in 1994. With it, brings the exciting buzz of ‘freedom’ in the country, and what better way to show true liberation than by reflecting and witnessing the country’s cultural scene during the month of April
How South Africa Can Grow Its Gaming Industry?
In 2018, the global gaming industry consisted of 2.3 billion consumers, who spent nearly US$ 138 billion on games. Research done two years ago showed that there were more than 11m gamers in South Africa.
Business and Arts South Africa Welcomes New CEO
The board of Business and Arts South Africa (BASA) has officially introduced and welcomed their new Chief Executive officer, Ashraf Johaardien who joined the organization on 01 March, 2019. He has taken over from the successful leadership and legacy of Nicola Danby, and then, Michelle Constant after two decades. Nonetheless, Ashraf’s fundamental background in artistry and arts administration has made him a suitable candidate for the position, and has given him the potential to drive BASA towards more success.
Highlights Of Some Of Our Research Produced Since October Last Year
The report was aimed at exploring South Africa’s cultural goods trade with selected African countries between 2007 and 2017, with reference to the current cultural policy environment at the continental and regional level affecting such trade. The UNESCO (2009) Framework for Cultural Statistics is used to identify cultural goods, with trade data sourced from UN Comtrade (2018). This study is thus important in the light of South Africa’s signing of the Agreement (AfCFTA) to establish the Continental Free Trade Area in July 2018.
Executive Direction
These past few months have seen some good momentum gained in providing direction to the research outputs of the South African Cultural Observatory. In the same vein, the inputs for the Research Agenda have expanded the research possibilities for the Observatory and the sector as a whole.
