Rhodes University joins consortium in SACO tender win
A FIVE-YEAR tender to run the South African Cultural Observatory (SACO) has been granted to a consortium of universities including Rhodes University, Nelson Mandela University, University of Fort Hare, and the University of KwaZulu-Natal.
Led by Nelson Mandela University, the award of the tender represents a significant investment by the South African government into research on the cultural and creative economy.
The SACO is a national research centre established in 2015 and mandated by the Department of Arts and Culture (DAC). “The initial SACO project was run by Nelson Mandela University, Rhodes University and the University of Fort Hare. For the second bid the partnership expanded to include the University of KwaZulu-Natal,” explained Jen Snowball, Professor at Rhodes University’s Department of Economics.
Prof Snowball is the chief research strategist at the SACO.
The SACO supports the collection and analysis of data, influences policy, shares insights and builds on the intellectual capacity gained across the arts, culture, and heritage sectors. “Its focus is on the potential of the cultural and creative industries to contribute to social cohesion, job creation, and economic growth, rather than just being a sector that requires subsidising,” said Prof Snowball.
Historically, cultural economics represents a niche research area in South Africa. “There are very few cultural economists in the country. It’s just not an area most economists specialise in. So it’s been difficult to get academic economists interested in the value and analysis of cultural economics, but we are seeing growth as people increasingly understand the importance of the sector,” Prof Snowball said.
Earlier this year, SACO and the DAC held its third annual international conference to discuss trends and issues in international, national, and regional economies, which helped cast a light on the research underway and the socio-economic activities already
“We had a very large delegation, and the Minister of the DAC was there to give an opening address,” said Prof Snowball. “Interest in the SACO continues to grow year-on-year.”
Although the SACO operates primarily as a think-tank, research is not the exclusive focus. “We also run the conferences, provide bursaries for students who are conducting sector related studies, host training workshops with to find out what is happening in the sector, share ideas about how cultural economics can be reported on, provide monitoring and evaluation services, and we’ve developed an online economic impact calculator for festivals and cultural events,” explained Prof Snowball. “It’s more of an applied research exercise.”
Over the next five years, Prof Snowball would like to see more Rhodes academic staff contributing to the SACO, from across the different departments and the various research institutes. “This will not only make the research more valuable, but it will expand the Rhodes University contribution to the SACO,” she said. “There is significant potential in integrating, business, media, technology, and the arts with economics.”
READ an interview with SACO Chief Research Strategist Jeanette Snowball in a monograph on cultural participation and wellbeing by the Social Observatory of la Caixa. Prof Snowball talks about how “one of the functions of art is to open up debates in society”.
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THE Cultural and Creative Industries (CCIs) have been hailed as offering great potential to create jobs and to be socially inclusive. This study investigates to what extent the CCIs in South Africa are moving towards more inclusive and racially diverse patterns in their ownership and employment profiles. Using a survey of 2400 randomly selected CCIs, it compares ownership and employment patterns across the six UNESCO Cultural Domains to determine their contribution to black economic empowerment (transformation) within the various domains.
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THE world as we know it is changing. We are already living in the technological future. The fourth industrial revolution is fundamentally disrupting the way we think, work and interact with each other and, in it, culture and creativity can be one of the major currencies, argue Prof Richard Haines (SA Cultural Observatory CEO) and Rosemary Mangope (National Arts Council CEO).
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SOUTH African Cultural Observatory (SACO) Chief Research Strategist Prof Jen Snowball’s recent paper with Serge Hasidi on cultural employment in South Africa explores the role of the Cultural and Creative Industries (CCIs) in facilitating job creation and economic growth in South Africa.
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Executive Direction June 2020
As we all know and have somewhat even become accustomed to it, due to social distancing measures put in place to fight the Covid-19 pandemic, since March 26, we have all not able to travel to any venue to consume any form of arts and culture products. Libraries, archives, museums, films and television productions, theatre and orchestra performances, fashion shows, concert tours, zoos as well as music and arts festivals have all been closed or come to a complete halt. Could this signal a death knell for the sector? The answer has to be a Big No, at least not if we can help it as consumers and key stakeholders of the cultural and creative industries.
COVID-19 Impacts on the Sports Sector
World over, sport is recognised by many societies and governments as a major contributor to economic and social development. The COVID-19 pandemic has affected sports of all types across the world and is likely to have a major negative impact.
Mapping the Economic Value of the Creative Industry
In many countries, the growing importance of the cultural and creative industries is increasingly being recognised. The SA Cultural Observatory recently released its second Economic Mapping of the Cultural and Creative Industries in South Africa 2020 (Economic Mapping Study).
An Early Assessment of The Impact of The Covid-19 Crisis on The Cultural and Creative Industries in South Africa
As of March 2020, the South African Cultural Observatory (SACO) conducted a survey targeting businesses and freelancers in the cultural and creative industries (CCIs). This survey was undertaken so that the Observatory could ascertain the impact of the measures that were put in place to manage the COVID-19 pandemic in the country.
Youth is not wasted on Young Creatives: The Creative Economy is where South Africa’s Youth will be national carriers in a Post-Covid-19 world
Young Creatives in South Africa have heaps of challenges stacked up against them. Their reality is like that of many youth and people whose livelihoods depend on informal labour practises and gig work. Nothing makes this more evident than the effects of Covid-19 on life as we know it. However it is through their infinite potential, innovative capabilities and resilience that the country is endowed with the means to solve the complex problems in the ever-uncertain present and towards a Fourth Industrial future.
