South African Cultural Observatory

Mapping Diversity: An Exploration of Our Social Tapestry

BY StatsSA 23.05.16

STATSSA RECENTLY, in May, released the results of an interesting mapping study which looks at the lasting geo-spatial legacy of apartheid and the patterns of racial neighbourhood integration and segregation across South Africa’s largest cities.

A part of the larger General Household Survey (GHS) report on housing, the study shows how municipalities have become more racially integrated, but that the legacy of apartheid still has a hold on the social structure of South African urban space.

The scale below shows that Nelson Mandela Bay – which includes Port Elizabeth and Uitenhage – is the most segregated of the six largest municipalities, according to Theil’s entropy index applied to Census 2011 data. Johannesburg is the least racially segregated. Read more

Rhodes University joins consortium in SACO tender win Rhodes University joins consortium in SACO tender win

A FIVE-YEAR tender to run the South African Cultural Observatory (SACO) has been granted to a consortium of universities including Rhodes University, Nelson Mandela University, University of Fort Hare, and the University of KwaZulu-Natal.

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Interview with SACO Chief Research Strategist Jeanette Snowball Interview with SACO Chief Research Strategist Jeanette Snowball

READ an interview with SACO Chief Research Strategist Jeanette Snowball in a monograph on cultural participation and wellbeing by the Social Observatory of la Caixa. Prof Snowball talks about how “one of the functions of art is to open up debates in society”.

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Transformation and Job Creation in the Cultural & Creative Industries in South Africa Transformation and Job Creation in the Cultural & Creative Industries in South Africa

THE Cultural and Creative Industries (CCIs) have been hailed as offering great potential to create jobs and to be socially inclusive. This study investigates to what extent the CCIs in South Africa are moving towards more inclusive and racially diverse patterns in their ownership and employment profiles. Using a survey of 2400 randomly selected CCIs, it compares ownership and employment patterns across the six UNESCO Cultural Domains to determine their contribution to black economic empowerment (transformation) within the various domains.

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‘Creativity is potential currency in the fourth industrial revolution’ ‘Creativity is potential currency in the fourth industrial revolution’

THE world as we know it is changing. We are already living in the technological future. The fourth industrial revolution is fundamentally disrupting the way we think, work and interact with each other and, in it, culture and creativity can be one of the major currencies, argue Prof Richard Haines (SA Cultural Observatory CEO) and Rosemary Mangope (National Arts Council CEO).

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More News
Mzansi Golden Economy (MGE) funding  Mzansi Golden Economy (MGE) funding

The application period for 2020/2021 Mzansi Golden Economy (MGE) funding from the Department of Arts and Culture has been extended from 11th to 18th November 2019.

Call for the 2020 NMU/DAC bursary programme application Call for the 2020 NMU/DAC bursary programme application

The DAC bursary programme at the Nelson Mandela University wishes to inform all prospective language studies students that the DAC bursary programme for 2020 is now open.

SA museums have come long way SA museums have come long way

The main function of museums has traditionally revolved around collecting, preserving, researching and displaying objects. To control a museum means precisely to control the representation of a community and its highest values and truths. It is also the power to define the relative standing of individuals within that community. Museums are more than containers of things; rather, they are complex reflections of the cultures that produced them, including their politics, social structures, and systems of thought. Cultural institutions, like museums, can be powerful in telling the “authorised” version of our histories, in shaping national identity and in building social cohesion, as well as contributing to education and research through their collection, archiving and conservation of artefacts.

The SACO team attends UNCTAD’s Creative Economy Ad Hoc Expert Meeting in Geneva The SACO team attends UNCTAD’s Creative Economy Ad Hoc Expert Meeting in Geneva

The SA Cultural Observatory Executive Director, Unathi Lutshaba & Head of Research, Prof Jen Snowball participate in UNCTAD’s Creative Economy Ad Hoc Expert Meeting in Geneva. The meeting was first of its kind & was aimed at bringing together experts from various countries to discuss the relationship between creative industries and economic development.

The artist with a deep appreciation for art- Mr Avhashoni Mainganye The artist with a deep appreciation for art- Mr Avhashoni Mainganye

At a recent SA Cultural Observatory workshop in the Vhembe district in Sibasa, Limpopo, we came across the definition of an artist- Mr Avhashoni Mainganye. Currently based at the Vhembe Arts and Culture centre in Thohoyandou, the unassuming Mainganye is an accomplished painter, printmaker, sculptor, photographer, arts teacher and mentor with more than 30 years’ experience in the industry.

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