South African Cultural Observatory

Mapping Diversity: An Exploration of Our Social Tapestry

BY StatsSA 23.05.16

STATSSA RECENTLY, in May, released the results of an interesting mapping study which looks at the lasting geo-spatial legacy of apartheid and the patterns of racial neighbourhood integration and segregation across South Africa’s largest cities.

A part of the larger General Household Survey (GHS) report on housing, the study shows how municipalities have become more racially integrated, but that the legacy of apartheid still has a hold on the social structure of South African urban space.

The scale below shows that Nelson Mandela Bay – which includes Port Elizabeth and Uitenhage – is the most segregated of the six largest municipalities, according to Theil’s entropy index applied to Census 2011 data. Johannesburg is the least racially segregated. Read more

Rhodes University joins consortium in SACO tender win Rhodes University joins consortium in SACO tender win

A FIVE-YEAR tender to run the South African Cultural Observatory (SACO) has been granted to a consortium of universities including Rhodes University, Nelson Mandela University, University of Fort Hare, and the University of KwaZulu-Natal.

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Interview with SACO Chief Research Strategist Jeanette Snowball Interview with SACO Chief Research Strategist Jeanette Snowball

READ an interview with SACO Chief Research Strategist Jeanette Snowball in a monograph on cultural participation and wellbeing by the Social Observatory of la Caixa. Prof Snowball talks about how “one of the functions of art is to open up debates in society”.

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Transformation and Job Creation in the Cultural & Creative Industries in South Africa Transformation and Job Creation in the Cultural & Creative Industries in South Africa

THE Cultural and Creative Industries (CCIs) have been hailed as offering great potential to create jobs and to be socially inclusive. This study investigates to what extent the CCIs in South Africa are moving towards more inclusive and racially diverse patterns in their ownership and employment profiles. Using a survey of 2400 randomly selected CCIs, it compares ownership and employment patterns across the six UNESCO Cultural Domains to determine their contribution to black economic empowerment (transformation) within the various domains.

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‘Creativity is potential currency in the fourth industrial revolution’ ‘Creativity is potential currency in the fourth industrial revolution’

THE world as we know it is changing. We are already living in the technological future. The fourth industrial revolution is fundamentally disrupting the way we think, work and interact with each other and, in it, culture and creativity can be one of the major currencies, argue Prof Richard Haines (SA Cultural Observatory CEO) and Rosemary Mangope (National Arts Council CEO).

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More News
Executive Direction June 2020 Executive Direction June 2020

As we all know and have somewhat even become accustomed to it, due to social distancing measures put in place to fight the Covid-19 pandemic, since March 26, we have all not able to travel to any venue to consume any form of arts and culture products. Libraries, archives, museums, films and television productions, theatre and orchestra performances, fashion shows, concert tours, zoos as well as music and arts festivals have all been closed or come to a complete halt. Could this signal a death knell for the sector? The answer has to be a Big No, at least not if we can help it as consumers and key stakeholders of the cultural and creative industries.

COVID-19 Impacts on the Sports Sector COVID-19 Impacts on the Sports Sector

World over, sport is recognised by many societies and governments as a major contributor to economic and social development. The COVID-19 pandemic has affected sports of all types across the world and is likely to have a major negative impact.

Mapping the Economic Value of the Creative Industry Mapping the Economic Value of the Creative Industry

In many countries, the growing importance of the cultural and creative industries is increasingly being recognised. The SA Cultural Observatory recently released its second Economic Mapping of the Cultural and Creative Industries in South Africa 2020 (Economic Mapping Study).

An Early Assessment of The Impact of The Covid-19 Crisis on The Cultural and Creative Industries in South Africa An Early Assessment of The Impact of The Covid-19 Crisis on The Cultural and Creative Industries in South Africa

As of March 2020, the South African Cultural Observatory (SACO) conducted a survey targeting businesses and freelancers in the cultural and creative industries (CCIs). This survey was undertaken so that the Observatory could ascertain the impact of the measures that were put in place to manage the COVID-19 pandemic in the country.

Youth is not wasted on Young Creatives: The Creative Economy is where South Africa’s Youth will be national carriers in a Post-Covid-19 world Youth is not wasted on Young Creatives: The Creative Economy is where South Africa’s Youth will be national carriers in a Post-Covid-19 world

Young Creatives in South Africa have heaps of challenges stacked up against them. Their reality is like that of many youth and people whose livelihoods depend on informal labour practises and gig work. Nothing makes this more evident than the effects of Covid-19 on life as we know it. However it is through their infinite potential, innovative capabilities and resilience that the country is endowed with the means to solve the complex problems in the ever-uncertain present and towards a Fourth Industrial future.

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