New home of Cultural Observatory

BY 10.02.16

South African Cultural Observatory HQ in heart of creative zone

THE home of the Department of Arts and Culture’s (DAC) newly established South African Cultural Observatory is strategically located in Port Elizabeth’s thriving creative hub in Central.

The city’s central business district has been part of a major urban and environmental upgrade by the Mandela Bay Development Agency (MBDA), which has seen the inner city restored to its former glory. The new infrastructure, and an iconic public arts programme, woven throughout the inner city, has re-established confidence in the area, which has seen an influx of creatives and businesses alike.

The South African Cultural Observatory will be housed in the Donkin Village Creative Quarter, which overlooks the Donkin Reserve, the starting point of the city’s public art tourism meander, Route 67.

“We are extremely happy to be situated in the heart of Port Elizabeth’s creative hub,” said South African Cultural Observatory chief executive, Professor Richard Haines. “Not only is the city and the province a site of rich cultural history, but Central is a suburb full of deep heritage. It simply made sense. We are also neighbours with the Port Elizabeth Opera House, the oldest Opera House in the Southern Hemisphere and some of the oldest theatres in South Africa – the spirit of the cultural and creative industries is tangible here.”

DAC, which recently established the statistical research institute to charts the impact of the cultural and creative industries in South Africa, said it the location was fitting.

The Port Elizabeth city blocks of Donkin Hill, Constitution Hill and Victoria Street are some of the oldest in the city centre. The Donkin Village includes the iconic heritage buildings, the Donkin Row Houses that lean down Donkin Hill, built between 1860 and 1880. The entire row was recently restored.

The main purpose of the South African Cultural Observatory is the development of a comprehensive cultural information system which continuously captures cultural data and monitors and evaluates government initiatives in the sector.

Pop in and visit us at:

South African Cultural Observatory
21 - 23 Donkin Street
Central
Port Elizabeth
6001

Contact – Paula Holmes: paula.holmes@nmmu.ac.za

Cross Continental Forum Announces Partnership with South African Cultural Observatory

Cross Continental Forum Announces Partnership with South African Cultural Observatory

CaribbeanTales Media Group has entered a new partnership between the Cross Continental Forum (CCF) and the South African Cultural Observatory (SACO), as CCF expands into a year-long international lab connecting Black and Global Majority producers across Africa, the Caribbean, Canada, the UK, Europe, and the wider diaspora.

The Unsilenced Voice: How Artists and Cultural Creatives Shaped the Narrative of the June 16 Uprising

The Unsilenced Voice: How Artists and Cultural Creatives Shaped the Narrative of the June 16 Uprising

June 16, 1976, will forever be remembered for the courageous actions taken by the youth to confront the injustice of Apartheid. The students of Soweto took to the streets to protest the imposition of Afrikaans as a medium of instruction, and their bravery ignited a fire that would eventually help dismantle an oppressive regime.

The Rise of Digital Entrepreneurship in South Africa

The Rise of Digital Entrepreneurship in South Africa

What if your next paycheque came from a 60-second video, a podcast recorded in your bedroom, or a cooking tutorial filmed on your phone? For a growing number of South Africans, this is no longer just a possibility, it is a career.

Measuring What Matters: SACO’s new South African Sport Impact Calculator

Measuring What Matters: SACO’s new South African Sport Impact Calculator

South Africa hosts a wide array of sporting events, ranging from local community competitions to internationally televised tournaments, with the sector generating significant economic activity. With a growing emphasis on accountability and value for money, government bodies, event organisers, and sponsors increasingly seek to understand how these events contribute to regional economies.